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PANZ Book Design Awards 2010 Winners

New Zealand’s best book designers were celebrated at this year’s PANZ Book Design Awards which saw an outstanding group of winners emerge from a strong field.

This year’s Supreme Winner was The Life and Love of Trees by Lewis Blackwell, designed by Cameron Gibb. It is a book in which, said awards judge Peter Gilderdale, “the design choices and content came together to yield a breathtaking result.”

See the full list of 2010 PANZ Book Design Awards winners.

Supreme Winner 2010: The Life and Love of Trees

Designer Cameron Gibb

Gerard Reid Award for Best Book: PANZ Book Design Awards 2010
Sponsored by Nielsen Book Services

JUDGES COMMENTS

Lewis Blackwell’s The Life & Love of Trees is a combination of breathtakingly beautiful photographs and wonderfully written, elegant and accessible essays. It reaches the highest standards of international design and publishing, and will sit proudly on bookshelves all around the world.

Best Cover 2010: Magpie Hall

Designer Sarah Laing

HarperCollins Award for Best Cover: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

Like it or not, people often do judge a book by its cover, hence cover design is always a major element in the publishing process and can have a significant impact on its success or failure. Several of the best covers this year were to be found on fiction titles, with the winner and one highly commended title being from this genre.

Awa Press Young Designer of the Year: Keely O'Shannessy

Awa Press Young Designer of the Year: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

Congratulations are due to all of the young designers who entered. They have found themselves a place in a small and particular market. That takes courage and passion. If these guys are the future book designers of New Zealand, the industry is in exciting hands.

Pindar Award for Best Typography: Art at Te Papa

Designers: Grant Sutherland, Mission Hall (interior), Robyn Sivewright, fineline (typesetting), Neil Pardington (cover)

Pindar Award for Best Typography: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

The typography and non-illustrated book categories tend to overlap. However, since our choices in non-illustrated acknowledged several highly typographic books, we decided to look beyond these ‘pure’ books,and recognise the strongest type across all categories.

Best Illustrated Book: The Life and Love of Trees

Designer Cameron Gibb

Random House New Zealand Award for Best Illustrated Book: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

Considering the high number of entrants in this category, it is a given that all finalists have a well-resolved grid, great typography and a well-handled cover. Over and above these, however, all three books have major strengths.

Best Non-Illustrated Book: Mirabile Dictu

Designers Keely O'Shannessy (cover), Katrina Duncan (interior)

Hachette New Zealand Award for Best Non-Illustrated Book: PANZ Book Design Awards 2010

JUDGES ’ COMMENTS

The non-illustrated book category this year had fewer strong non-fiction books, but this was counteracted by the quality in poetry and fiction. It was noticeable that production values sometimes let down otherwise well-designed books – an effect, perhaps, of the recession. The best of the category transcended the gloom, however, and the finalists are all highly effective in different ways.

Best Educational Book: Year 9 Graphics

Designer Book Design Limited

Pearson Award for Best Educational Book: PANZ Book Design Awards 2010

JUDGES’ COMMENTS

The educational book category attracted more entries than in 2009, and the quality of entries was fairly even. Educational books often have to get a lot of information into a constrained space, and this can lead to clutter when not handled well. The finalists all managed to combine well-sequenced information, solid typography and visual appeal.

Supreme Winner 2010: The Life and Love of Trees

Cover: Life and Love of TreesDesigner Cameron Gibb

Gerard Reid Award for Best Book: PANZ Book Design Awards 2010
Sponsored by Nielsen Book Services

JUDGES COMMENTS

Lewis Blackwell’s The Life & Love of Trees is a combination of breathtakingly beautiful photographs and wonderfully written, elegant and accessible essays. It reaches the highest standards of international design and publishing, and will sit proudly on bookshelves all around the world.

The photographs certainly gave the designer amazing raw material, but having stunning photographs often results in coffee table books with default designs. Here Cameron Gibb has perfectly resolved the deceptively difficult problems posed by the book.

The amount of text per spread varies from nothing to captions, statements and long essays. These had to be unified, whilst fulfilling quite different functions, and the resulting typography is elegant and appropriate – supporting and anchoring rather than competing with the images.

The endpaper motif, which adapts a colour exercise into an evocation of tree trunks, is repeated cleverly throughout – not so often as to be clichéd, but rather as a quiet reinforcement of the subject. And, of course, the photographs themselves are choreographed to allow waves of visual richness to wash over the reader, ebb back and then sweep in again with ever-increasing force.

The cover image works perfectly to signal what the book is all about – and the choice of cover photo typifies Gibb’s quality decision-making. In the end, it is impossible to unpick the design and content from each other. The text and photographs meld into a single, stunning whole, which is what book design ultimately seeks to achieve. The photographs, even with mediocre design, would have delivered a punch. But the overwhelmingly cohesive experience that this book offers can only come as a result of design at the highest level, and the judges ultimately had no hesitation in choosing this as best book.

Life and Love of Trees - internal page 6

DESIGNER’S COMMENT

The sheer volume of material presented a significant design challenge. Ultimately, the images proved toLife and Love of Trees - internal page 7 be the heroes and the book’s large format reproduced them to maximum effect. The text appears understated,allowing the images to take centre stage, whilst the pull-out quotes use space to communicate their sometimes provocative nature. Striped colour spectrums, sourced from the very photographs they precede, provide breaks between chapters, visually opening and closing the book.

DESIGNER Cameron Gibb
TITLE The Life & Love of Trees by Lewis Blackwell
PUBLISHER PQ Blackwell/Hachette (NZ)
FORMAT 305mm x 305mm, 200pp,jacketed hardback with printed,debossed case and printed endpapers

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